2000 December
On the afternoon of Christmas Eve, the Dauphin County Sheriff and his Deputy knock on our front door.
“I’m sorry to bother you ma’am,” the Sheriff begins, “but I’m here to tag your assets for sale to resolve a lien against your property.”
The smell of a pork loin wafts from the kitchen and out through the open front door. It is the first meal we have prepared in months. My husband has brought home a paycheck from a new job in Philadelphia, where he has also been living. The pay rewards us with a holiday meal.
The Sheriff starts tagging items in the entryway of our home. He moves his way through the downstairs, into the kitchen, counting pieces of silverware, tea towels, spices in the cabinet, serving plates, the Crock Pot, the Krups espresso maker, the pasta maker, the bread maker, the dry goods in the pantry. He empties the toy box, the hutch, the cedar chest, and moves into the garage where he tags Mema’s handmade quilts, boxes of my childhood keepsakes, a collection of record albums, the stereo I listened to in college, boxes of old clothing, winter jackets, snow sleds, boots, ice skates, and two field hockey sticks.
In the bedrooms, he tags articles of clothing, a desktop computer, décor, my children’s beds and their bedding, more toys, and then, with his Deputy scribbling every last detail into his notebook with diligent dollar figures attached to the material objects within the walls of my home, the Sheriff enters the master bedroom walk-in closet. He opens the door, switches on the light, and upon sliding my husband’s million-dollar suits from one end of the hanging rail to the other, the Sheriff reveals Santa’s lot. There, behind the hanging clothing in our bedroom closet, I had delicately wrapped and hidden my children’s Christmas presents.
The Sheriff sucks air into his lungs. The Deputy lowers his notebook and pushes his glasses up onto the bridge of his nose.
“I’m really sorry about this ma’am,” the Sheriff whispers. “This never gets easy for me. Especially on a day like today.” He shakes his head in dismay. “If you had just paid up on your debts…” he began, but his voice fades into the place where I had been living for months. It’s the place where there is no air, no oxygen to fill the lungs. The place of empty gazes and unfinished sentences, where everything is left unsaid.
The Sheriff and Deputy kneel onto the floor of the walk-in closet, and one by one, they unwrap and tag every single one of my children’s Christmas gifts for public sale. Nothing beneath the wrapping paper that the Sheriff removes is new. Nothing bears an original label. Piece by piece, the Sheriff unwraps used toys that I had purchased for pennies from thrift shops, yard sales, and flea markets. The unwrapping reveals battery-operated crawling doll with marks of wear and tear, a used table and chair set, a box of second-hand toy kitchen utensils, used wooden puzzles, a pile of dress-up clothing with torn fabric that I was able to mend, and a number of odds and ends that would pass as presents beneath a tree for little girls to unwrap on Christmas day. For a fleeting moment, I think that the Sheriff is fighting back tears.
After the Sheriff and is Deputy leave, I quickly rewrap the second-hand gifts and neatly pile them back into the secret hide-out. I return to the kitchen where I put the final touches on the most magnificent Christmas cake. It was truly a masterpiece. Earlier that day, I had carved the sheet cake into the silhouette of the gingerbread man and covered him in brown fondant. I decorated him with traditional gingerbread man trimmings, but left half of his garnishes unfinished. I molded tiny circus clowns from fondant and tube icing and positioned the clowns in action poses to reflect one pouring paint onto the gingerbread man from a can simulated by a marshmallow. Another clown was placing the buttons down the center of the body, and a few others were working on the finishing touches of perimeter icing, the smile on the gingerbread man’s face, and the trim around his hands and feet. Tiny clowns orchestrating the magic of a giant gingerbread man in their care.
I smile broadly when the girls ramble into the kitchen with their rosy red cheeks.
“Who’s ready for a Christmas Eve feast?” I say, puffing out my chest with my hands on my hips.
“We are!” Zoey hollers lifting her arms into the air. Claire claps her hands together and jumps for joy.
“Well then!” I exclaim, “Let’s get you up to the table for the feast of a lifetime!”
I kneel and pull the both of them into an embrace, one girl in each arm, close to me, and warm. I bury my face into their winter-scented hair. I close my eyes and I hold onto everything that has been left for me to keep; the things that cannot be lost.
The week after Christmas, my husband returns to Philadelphia. The gas is turned off. The water is shut off. The car is repossessed and I have to chase the tow truck at two in the morning so I can make him stop and give me my babies’ safety cars eats from the backseat of the car he is towing away. I remove notices of a property sale from the front door of our home every morning. I buy milk and bread with change I find from between the sofa cushions. I sell hand-me-downs, then books, then jewelry, furniture, coats, bedding, my children’s crib. I sell their bikes, what toys we have left, and every other material object that we can live without. Every second of every day takes years from the life expectancy with which I had been born.
In the evening, I take the girls for a sunset walk. I bathe them. I read them a story. Then another. Then I tell a story. I sing a lullaby. I trace Claire’s face with my index finger. I press my cheek to Zoey’s in remembrance of the day she was born. I hold them both in my arms, on my lap, in the rocker, and there, we are pulled together close in the darkness of the place we began. We are safe. There are no bad things happening to us in the nursery, in the night, while we sleep. Nothing bad can happen in those sweet and silent dreams.
When my girls are tucked into their beds, I roam the house and toil over the wreckage that has become our life. No one sees it, as if I wake to the nightmare of losing our home, our family car, the loss of our assets, the sale of almost every material object we own. I am living an invisible horror that only I can see.
At eleven o’clock I go outside to sneak a cigarette, but I let the cigarette remain unlit. Quick, I think to myself. Quick. Before it is gone.
I dash inside and grab the folded afghan. It is the one I crocheted for my husband as a gift for the holiday; a Christmas that seems to belong to someone else now. I skip every other step on my ascent to Zoey’s bedroom.
“Wake up!” I say in a hoarse whisper. I shake Zoey’s shoulder. “Zoey! Wake up! I have something to show you!” A mix of laughter and tears presses against the back of my throat. I scoop her from the bed. “I want to show you something,” I tell her. I wrap her in the afghan and I carry her down the stairs. She is getting big. Heavy. My girls are growing. I manage the front door and swing it open. I grab Zoey with all my might and I press her face against mine, as though I may never do this again. As though we may never hold something so dear, so sacred, ever again. I do this, because I do not know, and yet I do.
“Open your eyes! Do you see it?” I say. We are in the front yard like we are the only two people left desolate on a planet long evacuated by its inhabitants; the only two people alive. I turn us in circles, looking up, watching snow spiral from its world into ours. I let out a roaring laugh like white water rapids, releasing fear and unrest into the night sky. I fall to my knees, dropping both of us onto the cold earth, frozen blades of grass erect against my bare ankles. Zoey’s feet are bare. She pulls them in so that they are covered by the afghan. I am holding her like an infant, rocking her back and forth even though she is four now.
“What is it?” she finally speaks. Her hair is speckled in white with frozen flakes of condensation.
“It’s the first snowfall of the year,” I say. “The very first snowfall. It’s all yours. No one can take it from you. It cannot be lost. You can keep this forever, for as long as you want.”
It is now that the answer arrives to the place where we are seated. It is now, in this moment, beneath the first snowfall of the season in the center of a frozen yard that is no longer ours, that a fifteen-year-old question is answered. I know now how it happens. I know how those people on the 1986 cover of LIFE Magazine are living in their car. I know now how homelessness happens.
The story had broken in the spring of my junior year in high school. I had been standing in the checkout line at the Weis Market with my father. LIFE Magazine was featured as a top-shelf periodical. The cover photo locked my gaze; a man, his wife, his children, and his dog, all situated in a car in a sepia tone filter.
“I need this,” I told my father, placing a copy of LIFE on the conveyor belt.
“What for?” my father asked. “It’s expensive.”
“I just need it,” I answered. “Please, just let me have it. I’ll pay you back when we get home.” I was sixteen and had babysitting cash stashed away in my bedroom. But I didn’t have to use it. The urgency in my voice sold my father and he bought me the magazine with no strings attached.
For weeks, months, for almost a year, I studied the article. I searched the photos for answers. There were bits and pieces of the puzzle that I could merge into some semblance of an answer, but I couldn’t get my head around the final, single act or lack there of that had landed these people into living in their car. How does a family wake up one day and say, “Today is the day, kiddos! Today is the day we move into our car! Someone grab Fido! We don’t want him to get left behind!”
I never saw it in motion. I never heard the mechanisms, the machine in the works. I only ever saw ways out. Possibilities. Hope climbing toward an imaginary horizon that I would never crest. My husband had lost his job. I dusted the furniture. I nursed a runny a nose in a toddler. He had said not worry. I cooked meals. I washed the dished. Bills traversed into the hands of collectors. I weeded the flower garden. I took the girls to the park on sunny days. It happens in the midst of the survival. While we hustle and we bustle in the name of keeping our heads above the water, the ship has long been sinking. Homelessness happens beyond the reach of consciousness. It had happened to that family long before the day they had moved into their car. The mystery of that 1986 cover story is solved in the snow of a yard that had long been lost to the reckless mismanagement of a capitalist dream.
The snow thickens. Zoey’s eyes close. She is smiling. She curls her body to contour herself into mine. I wonder if she can feel the ache in my heart. I sit in the yard long enough for her to fall back to sleep in my arms. I sit long enough not to feel the cold. I don’t know where we are going, but I know that this is the end. And so I sit in the cold night air long enough to muster the courage it takes to whisper, Goodbye.